
Welcome to WOLF NOTES, where interview questions stray from the rest of the pack. It’s nice to know the usual stuff like where an author gets their inspiration and why they write, but sometimes we need a little fun in our lives.
Rhiannon Held writes urban fantasy, along with space opera and weird western (as R. Z. Held). She lives in Seattle, where she works as an archaeologist for an environmental compliance firm. At work, she mostly uses her degree for copy-editing technical reports; in writing, she uses it for cultural world-building; in public, she’ll probably use it to check the mold seams on the wine bottle at dinner.
Wolf: If you could be any animal in the universe, what would it be and why?
Rhiannon: I’m not sure I’d ever want to be an animal literally, but being one metaphorically (in the best tradition of animals that talk in folktales) would be fun! My personal metaphor animal (or patronus) is a fox. Sometimes foxes are the villains of the piece in Western folktales—sly, killing chickens, stealing what isn’t theirs. But what if folktale foxes applied their methods to less villainous goals? I aspire to be stubborn like a fox. Not stubborn like an ox, just going forward and hitting your head against a wall until it breaks (or does it?). Stubborn like a fox, who sees a goal and goes over or under or around or talks their way in or distracts the guard or in the end, makes peace with deciding it wasn’t actually worth it. If they do decide it’s worth it, they keep stubbornly trying different methods of getting to their goal until they succeed.
Wolf: I never thought about foxes like that. What is the meanest thing you’ve ever done to your characters?
Rhiannon: At one time, I thought I might write a spin-off series of my main urban fantasy series, Silver. That ended up not being where I wanted to go with my limited creative time (though I still love the idea for it!). The spin-off was intended to be set about 60 years in the future, when the werewolf characters who were part of a society hidden from humans in the Silver series had mostly died in clashes with humans once they were discovered. It meant that the characters I’d written about originally had somewhat passed into legend, with all the crunchy misunderstandings and exaggerations that intrigue me about real history. It also meant that I had to know how they all died.
That’s not the mean part, though. Death is death; it comes to every character off the page. No, the mean part was when I figured out what life must be like for the characters who remained. Though the series was slated to take place in a relatively safe enclave, anyone who’d made it that far had lost pretty well everyone in the life to violence. That’s one thing to have in backstory, but it’s another to have happen to characters readers have already met!
Wolf: So true. While walking in the woods you come across…
Rhiannon: As the interest in history I mentioned above hinted at, for my day job I’m actually a professional archaeologist. Specifically, I work in compliance archaeology, which involves checking places slated for development before ground is even broken, so that we can know or predict with confidence whether there are any “cultural resources” (not just artifacts or objects, but also other things that are evidence of past humans, such as stains in the soil, trails, ditches, or building foundations) that might be disturbed when development goes forward. Over my career, I’ve specialized and now mostly edit the technical reports we produce for our results. However, I was trained in survey, which is what I would be doing when I was walking out in the woods and came across something.
What might I find, out on survey? In the Pacific Northwest, not much on the surface—our survey almost always involves digging what are called shovel probes because otherwise things are just plain too grown over to see. But we’re hypothetically walking, not digging! When walking, we often find railroad grades, but almost never rails or ties, as those were removed by the railroad companies when they closed the lines, or moved spurs as they opened up new areas for logging in historical times. Old roads are also out there. Occasionally one can find concrete foundations or pads associated with homesteads or houses. And can or bottle dumps! Workers on the job or people traveling on a road might dump the cans or bottles from what they’d eat or drunk by the side of the road or tracks. Cans rust away and can be hard to identify very precisely, but bottles often have maker’s marks, as well as how particular shapes tell you what’s inside (take a look in your recycling bin—you know what had wine in it, and what had ketchup!).
Just as a note—even as archaeologists, most of the time we record things, we don’t collect them. The point is what they can tell us, not possessing them, and they can tell us things while staying right where they are for another person to see! So if you find historical stuff in a the woods, be like an archaeologist: look it over and leave it there.
Wolf: Just like I learned in scouts. Take only picture. Leave no trace. If you could have a super power, what would it be?
Rhiannon: There are two answers to this question! The first is, I’d love to be able to teleport, mostly so I could visit far-flung friends whenever the heck I wanted. Narratively, though, that one’s no good, because no super power can just work quickly and conveniently with no side effects, tradeoffs, or complications. I’ve seen plenty of complications for teleportation across fiction, but none of them are meaningful for my personality. For instance, getting lost in some kind of limbo state if you step in without picturing your destination clearly enough makes the most narrative sense for a character who metaphorically doesn’t look before they leap as well. That is the diametric opposite of me!
So the second answer is, I think I’d probably have empathy. It’s great for understanding people and helping them, but it’s pretty terrible for making sure you don’t burn out trying to fix the world all on your lonesome. If I had that superpower, maybe I wouldn’t use it very much…
Wolf: Interesting. One of my works in progress is about an empathic teleport. She has loads of complication. What five items would you want to have in a post-cataclysmic world?
Rhiannon: I have a very high, wonky prescription for which I currently wear contacts, but obviously in that case I’d want my glasses first and foremost. The next things are all bound up in what I’d like to consider my long-term survival strategy. Assume for the sake of these items, that in this new world, there are now more resources than people (true for a disease outbreak, not true for crippling drought for decades, etc.). Most fiction likes to focus on the fighting after the cataclysm, but people already tend to stick together during disasters, and enough resources afterwards means there’s much less impetus to fight to go steal someone else’s food because you’re starving, for example. But I digress!
Second item, I want a farmer’s almanac. Gotta get some crops in the ground if I want to eat in the future. But those won’t be ready for a season, if not more, so time to get me something to eat now, with a book of city maps. Remember those, from the 90s, with street maps for an entire city in far more detail than one fold-out map can give? It’ll be outdated, of course, given all the updates went online, but it would be enough to orient you and record your progress as you start scavenging. Maps are important! I won’t just be scavenging food, so I’ll want a solar panel so I can generate electricity to run any useful items that I find.
Last? Well, it’s kind of a big item, but I want a printing press. Preserving knowledge is so important, and while it’s easy to go the direction of worshiping books as singular, magical objects, I think that’s not the way to go. Preservation of knowledge is about replication. Find the books, copy down the information, and fire up the press! Print a hundred guides describing how to build a water filtration system using charcoal, and which wild plants are good to eat. Then all the people around you and their knowledge of their experiences can survive in the new world too.
Wolf: You and Tatiana, the main character in Star Touched, would get along great. Books and wild edibles are her things. What story are you working on now?
Rhiannon: Oddly enough, speaking of a post-apocalyptic world…That’s not quite true, I have at least four projects on my hard drive right now in various stages of completion, but the one I’m currently revising is a weird western, set centuries after the apocalypse, that explores, among other things, just what people looking back on us might put in their books about the period of their history we’re currently living in. Also it has conscious AI and other leftover technology from the old world as well as tall tales, lonely trails through deep forested canyons, private dancers, saloons, gun battles, and bicycle chases.
Wolf: That sound great. What do you like to do when you’re not writing?
Rhiannon: For hobbies that get me out of the house, I belong to a community choir and have a D&D game, and I also enjoy hiking and finding little local museums to poke around. On a given evening, though, I write until I have no more brain left, which isn’t always bedtime, so I also have to fill that time. To get away from words without completely vegging in front of Netflix (which I do my share of, let’s be honest) I enjoy doing jigsaw puzzles and cross-stitch. The bigger the picture the better, for both of those!
Wolf: All fun activities. What’s your philosophy that keeps you going through the hard times of writing?
Rhiannon: A question I get a lot that I never know how to answer is “Has there ever been a time you tried to give up writing?” It’s hard to answer because the honest reply is, “No.” But there’s a really interesting question buried inside of that, it’s just been made too specific. When times are hard (and every writer knows, damn but they get hard) even if you don’t feel that difficulty in the form of wanting to quit, how do you get through?
My philosophy: things work out. That needs a bit of explanation, otherwise it sounds like an empty platitude. Not everything will succeed. Not everything will get better. But things will change. That change might bring something that’s even better than what you thought you wanted. It might bring what you feared but you find out there was no reason to fear it after all. It might bring something so awful that you’re forced into making a decision that you never would have imagined making that brings even more change…that might be better than you imagined. Or worse. My life philosophy is that change is terrifying but as you get used to things, you realize they’ve worked themselves out. Somehow. Not how you imagined. But probably not bad, in the end. And a writing career is just a microcosm of that. There are no guarantees you’ll succeed at any one project or goal, but if you keep writing and submitting and give the change something to work on, you’ll end up somewhere new. And I’d like to keep finding out where that new place is!
Wolf: Great philosophy. You can connect with Rhiannon through these links:
Twitter: @rhiannonheld
Website: www.rhiannonheld.com
Goodreads: https://www.goodreads.com/author/show/5324198.Rhiannon_Held
Heidi: There are worse things than living in a world of kings, queens, warriors, bards, and all manner of magical beings. After a life spent burying myself in the imagination of others and lamenting my inability to create such a story myself, I was challenged by my husband and a friend to bust down the barriers to my own creativity and just do it! I did, and the Kingdom of Uisneach series is the result.
Heidi: Every character in The Prophecy is my favorite for a different reason. However, I am really beginning to appreciate Briana as a force to be reckoned with. Readers have so far either loved her or have rolled their eyes and picked her apart. I guess she makes an impression and that is exactly what I like about her. She isn’t ordinary, though she thinks she is. Up until she walked through a tree in the woods near her house and ended up in Uisneach, she lived a pretty sheltered life. On the other side of the tree, she immediately discovers she is the savior to a land of gnomes, dryads, witches, druids and very mythic men and women and must adapt quickly to this new paradigm. She goes from being a young woman who cries at the drop of a hat and rejects most men because they don’t meet her dreamy expectations, to a woman who makes hard, sacrificial choices for the greater good of a kingdom she falls in love with. I freely admit it is cosmically cliché. I meant it to be. Her character arc seems complete in The Prophecy, but through the writing of the second book, The Runes of Evalon, it is clear she has room to grow, and is. She impresses me more and more with each passing day.
Catherine Lundoff is an award-winning writer, editor and publisher from Minneapolis. She is the author of Silver Moon and Out of This World: Queer Speculative Fiction Stories and editor of the fantastical pirate anthology, Scourge of the Seas of Time (and Space), as well as a number of published short stories in different genres. She is also the publisher at Queen of Swords Press, a genre fiction publisher specializing in fiction from out of this world.
Catherine: Healing, self and others. This would come in so handy right now! While it would be fun and useful to have my own illnesses and injuries heal very rapidly, it would be even better to be able to share that power and help others. I think that’s something I’d be happy to fantasize about.
Rebecca Gomez Farrell writes all the speculative fiction genres she can conjure up. Her first epic fantasy novel, Wings Unseen, debuted in August 2017 from Meerkat Press. You can find her short stories in over 20 anthologies, magazines, and websites including Dark Luminous Wings, Beneath Ceaseless Skies, and Fright into Flight. In California, Becca co-leads the 400-member strong East Bay Science Fiction and Fantasy Writers Meetup group and organizes a chapter of the national Women Who Submit Lit organization, which encourages female writers to send their work out for publication. She also co-moderates Facebook discussion groups for female-identifying writers and is a regular participant in the Bay Area literary reading scene. Becca’s food, drink, and travel blog, 

Loren: In No More Heroes, the third book in my space opera trilogy, I set the human main character Raena up with her big lizard boyfriend Haoun. After she’d had two really bad relationships in the earlier books, I decided she deserved to be happy.
Loren: Alondra DeCourval is a witch who travels around the world fighting monsters. Her stories combine my love of mythology and fairy tales with my wanderlust. The latest of her adventures – a werewolf story — just appeared in Weirdbook in August. Another of her stories should be out in Occult Detective Quarterly before the end of 2018. She’s also appeared on Nina D’Arcangela’s blog in the last couple months:
Loren: I’m finishing up the second Lorelei book, which is called Angelus Rose. It’s a sequel to Lost Angels, which came out a couple of years ago. Lorelei is a succubus who falls in love with an angel. In the first book, she was possessed by a mortal girl’s soul. In this second book, she’s trying to learn to fit when she has been radically changed by love. It’s part urban fantasy, part paranormal romance, and a splash of horror.
Loren: I like to hang out in graveyards. A year ago, I had a book out called 199 Cemeteries to See Before You Die. I still have more to see!
Juliana Spink Mills was born in England but grew up in Brazil. Now she lives in Connecticut and writes science fiction and fantasy. She is the author of Heart Blade and Night Blade, the first two books in the young adult Blade Hunt Chronicles urban fantasy series. Her short stories have appeared in anthologies and online publications. Besides writing, Juliana works as a Portuguese/English translator, and as a teen library assistant. She watches way too many TV shows, and loves to get lost in a good book. Her dream is to move to Narnia when she grows up. Or possibly Middle Earth, if she’s allowed a very small dragon of her own.
Wolf: Dandelions are great. They also make great fritters. Do you consider yourself a cat person, or a dog person?
Juliana: I’m working on Star Blade, the third and final book in my Urban Fantasy trilogy. It’s a weird feeling, writing a series ending. There are so many loose ends I have to remember to tie up, so it’s almost overwhelming, but at the same time it feels good to finally work towards the happily ever after my characters deserve.
JE (Jayne) Barnard is a Calgary-based crime writer with 25 years of award-winning short fiction and children’s literature behind her. Author of the popular Maddie Hatter Adventures (Tyche Books), and now The Falls Mysteries (Dundurn Press), she’s won the Dundurn Unhanged Arthur, the Bony Pete, and the Saskatchewan Writers Guild Award. Her works were shortlisted for the Prix Aurora (twice), the UK Debut Dagger, the Book Publishing in Alberta Award (twice), and three Great Canadian Story prizes. Jayne is a past VP of Crime Writers of Canada, a founder of Calgary Crime Writers, and a member of Sisters In Crime. Her most recent book is When the Flood Falls, a small-town psychological thriller set in the Alberta foothills west of Calgary, and her upcoming one is the sequel, Where the Ice Falls (Dundurn, July 2019), set at Christmas in those wild lands.
Jayne: For all that I adore Goldens (and solicit donations for Golden Rescue Canada whenever I can although I’m in no way affiliated with the group; see
Wolf: Sound interesting. Thanks for visiting. Connect with Jayne through these links:
Dawn Vogel’s academic background is in history, so it’s not surprising that much of her fiction is set in earlier times. By day, she edits reports for historians and archaeologists. In her alleged spare time, she runs a craft business, co-edits Mad Scientist Journal, and tries to find time for writing. She is a member of Broad Universe, SFWA, and Codex Writers. Her steampunk series, Brass and Glass, is being published by Razorgirl Press. She lives in Seattle with her husband, author Jeremy Zimmerman, and their herd of cats. Visit her at
Dawn: Because I write a lot of short fiction, I’ve written a whole lot of characters, so picking one of those is nearly impossible. If we’re limiting it just to the characters in my novel series, Brass and Glass, my favorite is Indigo, the ship’s mechanic. He’s a teenage boy who was raised at the fringes of the “civilized” world, so he’s got some unusual speech patterns and other quirks. So writing him is always a bit of a challenge but also a delight, as he sees aspects of the world through a very different lens than his fellow crewmembers.
LJ Cohen is a Boston area novelist, poet, blogger, ceramics artist, geek, and relentless optimist. After almost twenty-five years as a physical therapist specializing in chronic pain management, LJ now uses her anatomical knowledge and myriad clinical skills to injure characters in her science fiction and fantasy novels. When not bringing home strays (canine and human), LJ can be found writing, which looks a lot like daydreaming.

Author Biography: Rachel Mankowitz lives on Long Island with her family, including her two dogs, Cricket and Ellie, and the memories of all of the dogs that came before. She has a Master’s degree in Creative Writing from Manhattanville College, a Masters of Fine Arts in fiction, from Queens University of Charlotte, and is working on a Masters in Social Work from Fordham University. And yes, that is a lot of student loan debt. Rachel’s first novel, 